Should Supervisors and Employees be Friends Essay

Should Supervisors and Employees be Friends - Essay Example Should supervisors and employees be friends? If this was ought to be a question that one could ask, the answer to this would be in the positive. And there are reasons to prove how optimistic one could be with regards to the friendship factor between the supervisors and the employees in the workplace settings. This paper discusses the basis of supervisors and employees as being friends and how this relationship highlights the basis of success for the sake of the organization in the long run. Moving ahead with the understanding that the supervisors and the employees should be friends, one should delve deep into how this friendship could work to good effect for the sake of the employees and indeed the organization itself. The supervisors can extract the best possible value out of their employees if they know beforehand that their employees would be treated as friends and the same case could be applied backwards as well; where employees would know that their supervisors would take care o f their lawful requests and pay heed to their problems which arise every now and then. If the supervisors and employees are friends, this means that they are on the same wavelength as far as work domains are concerned. It also implies that they know what exactly their work manifestation is and how they would go about resolving the disputes that come about within the workplace settings. On the flip side, if the employees and supervisors have an edgy relationship this could mean that both of them do not believe in building the organizational value over a period of time, and thus want to run away from the organizational discourse in essence. Similarly if they have egoistic issues at each other’s ends, this would become very difficult for the organization to cater to the needs and requirements of both of them as well as their linkage that has come about with the passage of time (Ladany, 2001). One should believe that the balance should come about if the organizational employees a re sure about their own selves, and the manner in which they would be treated by other individuals that are present in any organization in the time and age of today. Good supervisors are very rare to find and this has been proven with the passage of time. The statement suggests that good supervisors are not born and thus they must not be looked within people right from their onset of starting their supervisory positions. What this means is that the supervisors need to be grown on the job. They might have the relevant talent to make it big within this field but what they direly need is polishing up on these skills so that their strengths benefit not only their respective bases but also of the organization for which they work. Just like good leaders who instill the much needed pride and confidence within the people who work within them, the supervisors have to carry out the tasks and delegate jobs to people who are best suited for the performance of the same. Supervisors need a good a mount of time before they could be remarked as successful ones. This is because these supervisors require understanding of different nuances, working regimes, process handling tasks and overall hands-on training to get

Truth and Lies Essay Example for Free

Truth and Lies Essay There are different types of lies. Distorted views and fabricated truths are two of them. Misunderstanding, on the other hand, is not a lie. Misunderstanding is a when we fail to understand something correctly and accurately. This happens a lot in our daily lives. A lot of conflicts and hard feelings are caused by this mistake. In order to avoid it, we should be more careful about the way we express our opinions and feelings. Simultaneously, we should listen to what people say and understand what they mean carefully. Sometimes, we misunderstand a fact. We can correct by asking others about that or study about it. C. G. Lichtenberg once said: â€Å"The most dangerous of all falsehoods is a slightly distorted truth†. When we see the reality through distorted eyes, it can have an extreme effect on our emotions, thoughts and our interactions with other people. Imagine you want to drive to school today. Surprisingly, you see the green lights red and the red lights green. Needless to say, you stop at green lights and pass the red lights. You will be shouted at both times. You wonder why people are shouting at you without any reason, and after a while you get anxious and angry. You decide not to pay attention to traffic lights anymore. The reason is obvious: accident. This is what happens in our lives when have distorted views toward facts and reality. We had better change our views and try to solve this problem. Fabricated truths are the lies that are used to mislead people for centuries. These are so-called truths that are invented in order to deceive. We can see them in all aspects of life from religion to science and politics. Telling these lies is not limited to authorities, scientist or religious people in power. Ordinary people produce lies everyday to achieve what they want. We can’t fight these lies. All we can do is to research and seek the truth ourselves or at least don’t accept them easily and without proof. The truth is hard to find for different reasons. First of all, all people want others to have a positive picture of them in mind. They don’t want their lies to be revealed and they try hard to maintain that positive image of themselves. This is why people try to show that they are not responsible when something negative happens. So they lie about it. When something positive happens, people want to take credit for it. They lie again! This is also the case for different groups, organizations, religions, etc. who claim to have the â€Å"truth†. They don’t have the complete truth. This is what gets people in trouble. These groups don’t want their followers to find out their weaknesses and stop their support. So they tell people a lot of lies and try to sustain them. In addition, lying is a part of human nature. Sometimes people say the same lie so often that they forget the real truth and start believing their own lies. Furthermore, people don’t want to hear the truth. We prefer a good story rather than the fact. We actually don’t like to deal with truth. We want to believe something, so we assume that it’s the truth. Johann Wolfgang von Goethe said: â€Å"We are never deceived; we deceive ourselves. † Another reason is that lies spread faster than truth, especially in the internet and other media. As Mark Twain said: â€Å"A lie can travel half way around the world while the truth is putting on its shoes. † Sometimes, there is enough so-called evidence to support both sides of the conflict, the falsehood and the truth. So people are actually sitting on the fences when facing them. So the truth won’t be revealed. Sometimes, the truth is out there, but we don’t seek for it and we expect others to provide it for us. These might be the reasons of most hidden truths. Whatever the reason is, people don’t want their lies and dishonest behavior to be revealed. When someone exposes the truth, their positive image is ruined. So they attack that person. People don’t try to disclose the truth when they are attacked. So some truths are not revealed because of this. Sometimes, the truths is easy to find, but hard to accept. We are lied to a lot and some of our beliefs are shaped according to those lies. When we find the truth, it seems like a vague idea that doesn’t fit the lies. So we can’t accept it and it’s like we have never found the truth. The complete truth is not told most of the time. Thomas Sowell said: â€Å"There are only two ways of telling the complete truth: anonymously and posthumously†.

Technologys Effect on the Future Essay -- essays research papers

I don't know what the future holds but I know who holds the future. Days go by and how time flies, seasons always changing. When we contemplate the future we envision mind-warping technology and global warming destroying the Earth. Change is inevitable but it's up to our supremacy what we and our planet Earth change into. Will we help or hinder our future survival? One sentence from America's Declaration of Independence has some relevance to this matter. 'But when a long train of abuses and usurpations, pursuing invariably the same Object, evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security'. In other words if something is wrong, those that have the ability to take action, have the responsibility to take action. Technology! Yes, it has its positives, but like all other things is also has its negatives. Would we really need hover cars? They would still congest ?air space?. What would be the benefits of splitting the atom more that once (What was the point of splitting it anyway)? Or will ?Little Boy? the World War Two atomic bomb containing Uranium be resurrected from the Japanese city of Hiroshima and be upgraded to wipe out the brain stems of individuals whose unique brain patterns have been programmed into the device? For years technology has been cultivated. Powerful and ingenious it maybe, but in our hands this technology has been used for demoralizing war! If we carry on using these technological advancements for the use of hostilities on Earth (or maybe in space) then both parties will use their own weapons and both will be crushed, ground into tiny pieces and blasted into oblivion. As the saying goes... ... and video. Molecular teleportation is a long way away. One of the most talked about subjects on the future is climate. At this very moment the Earth is warming up and we are the cause. The warming of the Earth is known more commonly as global warming. Maybe this subject is going to be fought over for centuries while we squander the time we have left away, but even if we did stop doing the things that cause global warming it will not bring it to a standstill. The main cause is pollution, and although scientists say that crude oil will be a thing of the past, alternatives to it will be created. Whether you consider the future to be one hundred years away or just a second the conception of the future is always the same. There are numerous views on the future but each one says the identical thing. I don?t know what the future holds but I know who holds the future.

Greek drama Essay

In this essay, a companion piece to The use of set and costume design in modern productions of ancient Greek drama, I will discuss the importance of theatre space in contemporary productions of Greek drama. Of necessity, I have limited my choice of productions to a set of (around) a dozen examples; all of these can be found catalogued in the database. It is hoped that the reader will be able to apply the basic ideas expounded here to a fuller range of productions than those alluded to in the text. Live performance takes place in a three-dimensional space. The study of any period of theatre history will reveal that there has always been a constructed evolution of theatre space, both formal and informal. In all cases, the audience member, the spectator, becomes part of the performance, and is therefore an integral part of the space itself; for contemporary performances, the theatre space and the spectator’s relationship to that space can range from a strictly formalized proscenium-arch stage to a make-shift performance space in a busy street or in an abandoned warehouse. Whatever the logistics of the acting space, there is always some kind of visual setting in operation: in the case of the temporary and impromptu street performance, the visual setting might just be a circle or semi-circle of passers-by with carrier bags and the background of a shopping-centre; it might be a green lawn and shady trees set before a castle wall for a more formal open-air production; the visual setting might be the black walls of an indoor ‘neutral theatre space’, so popular at the moment with postmodern stage productions; or it might be the glitzy painted scenery of a West End stage. The concept of space is a very important one in the theory of theatre practice, and is used to identify very different aspects of performance. The notion of space can be broken down into several categories: there can be a dramatic space – an abstract space of the imagination, i. e. , a ‘fictionalization’; there is stage space, which is literally the physical space of the stage on which the actors move (this can include extending the acting space into the audience arena). Another concept of space can be termed gestural space, which is created by the actors and their movements. Finally there is theatre space, the area occupied by the audience and the actors during the course of a performance and which is characterized by the theatrical relationship fostered between the two. The theatre space is product of the interplay between stage space, gestural space and dramatic space and, according to Anne Uberseld, it is constructed, on the basis of an architecture, a (pictorial) view of the world, or a space sculpted essentially by the actors’ bodies. The focus of this essay is with this fourth definition of space. What I am not concerned with here is the idea of diegetic or narrative space, certainly not in the strictest sense of the term ‘narrative’ (for example, a messenger’s speech in tragedy which often narrates an event which has taken place off stage). The narrative cannot take on too much importance in the body of the play without running the risk of destroying its theatrical quality; therefore narrative is often confined to static monologues. However, in recent years there has been an escalating trend in Greek tragic performance for re-thinking the concept of narrative in visual and spacial terms. This usually employs the dramatic staging of an event which properly should only form a narrative recitation, an idea most fully developed in Katie Mitchell’s version of the Oresteia in which the long choral narrative recounting the death of Iphigeneia was played out in abstract form in the theatre space (and employing that space to its best advantage too (DB id nos. 1111 and 1112)). The figure of the mute Iphigeneia – a character who is, after all, absent from Aeschylus’ cast-list – was integrated into the main action of the drama throughout, silently commenting on or endorsing the narrative element. THEATRE SPACE On entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses. The reception of that space becomes part of the total theatrical experience. There are several dimensions that affect the audience entering into a space for the first time and several questions need to be asked. How, for example, is the space entered by the audience? Do they enter through grand wide-open doors or do they climb narrow stairs? Moreover, where has the audience come from before entering this specific space? In other words, is there a space before this space? Once the audience has entered into the theatre space it becomes important to note how is the space divided. Where do the audience sit (or stand) in relation to the performance area, if such a formal space exists? Bearing these points in mind, let us now examine the relationship of theatrical space, design concept and audience reception in modern productions of Greek tragedies, for it is evident that several contemporary directors have utilized theatrical space to full advantage in order to manoeuvre audience reactions in particular ways. The French company Le Theatre du Soleil, under the leadership of director Arianne Mnouchkine, famously created in the early 1990s a remarkable production of the Oresteia which was preceded by Euripides’ Iphigeneia at Aulis and performed under the banner-title Les Atrides (DB ref. no. 152). Mnouchkine’s vision was to create a theatrical experience where past and present intermingled seamlessly; she realized that the audience had to be transported to another conception of reality. . Her concept of mis-en-scene was of a kind of historical construction-site, and this was realized as soon as the spectator stepped into the theatre itself, at least in its original staging at Vincennes. In a large reception hall outside the auditorium, a huge map of the ancient Mediterranean world, highlighting the voyages of Agamemnon, was suspended against a deep blue wall. Around the room there were books and photo displays of ancient Greek life; in addition, Greek food was prepared, sold and eaten on site. In this way the audience was prepared, nurtured, and coerced into accepting the ‘other world’ waiting for them beyond the foyer. On their way into the performance area, the audience had to walk through an antechamber and along a path above what appeared to be (on first sight) an unfinished archaeological dig which was filled with recently unearthed life-sized terracotta human figures, resembling the famous Chinese terracotta army. The audience walked past this ‘archaeological site’ and entered the performance space from behind steeply raked seating-blocks; below the structure, the actors sat in little booths, fully visible to the audience, and applied their make-up and tied on their elaborate costumes. As they walked by, audience members were stopped by the performers who frequently engaged with them in some light conversation in a conscious effort to break the ‘us’ and them’ barriers of conventional Western theatre practice. Having crossed the ‘excavated’ transition space and the actor’s dressing area, the audience took their seats in the raised seating-blocks and waited for the performance to begin. They were aware of a low hum of gongs and other exotic instruments, and they could smell the perfume of burning incense. When the lights dimmed, the sound of a kettle drum rose to a thunderous roar and suddenly the dancers of the chorus rushed on from the back of the stage with exuberant shouts in a whirling blaze of red, black, and yellow costumes, as if the terracotta ‘army’ had come to life and had found its way up and onto the stage. The effect (and I experienced it myself) was breathtaking. Mnouchkine had succeeded in bridging the gap between the two worlds of past-theatrical and present-mundane and had persuaded her audience to accept the overtly theatrical conventions of her production. She also succeeded in transforming the theatrical space into a ritual space. Katie Mitchell’s productions of two Greek tragedies, one for the RSC (Phoenician Women, 1995; DB ref. no. 211) and one for the Royal National Theatre (The Oresteia, 1999 DB ref. nos. 1111, 1112) have been noted for their stark and minimalist use of theatre space. The audience entering Stratford’s The Other Place for the first performance of Phoenician Women were ushered into a bare black box and seated on hard backless benches. They were not provided with programmes, so that a familiar aspect of twentieth-century theatre-going was denied to them; instead they were handed simple sprigs of thyme, a kind of ritualistic gesture which was presumably intended to prepare the audience for the spiritual dramatic experience that awaited them. They were seated on three sides of the performance area which was backed on one side by a rudimentary kind of skene decorated with little lamps and terracotta figurines of ancient Greek and Near Eastern deities. This decorated back wall helped to transform the space into a place of holy ritual. Unfortunately, many audience members found the experience less than mystical, and critics voiced a common complaint that the design decisions about the use of the theatrical space were badly made. Nick Curtis of the Evening Standard noted that, There is little concession to comfort: the stringently minimalist design of Rae Smith and Vicki Mortimer extends to backless benches for the audience. For the Stratford Herald critic, Paul Lapworth, the emotional agony experienced by the characters in the tragedy was matched by the physical suffering of the audience, The pain . . . was . . . matched by the discomfort of the seating arrangements, the audience perched on blocks like tiers from a Coliseum. It was the least satisfactory adaptation in an otherwise fascinating renewal of an ancient dramatic experience. Others beside Lapworth attempted to justify Mitchell’s decisions to terrace the audience on uncomfortable benches by alluding to ancient theatrical tradition. Charles Spencer of The Daily Telegraph wrote a particularly virulent attack on the design decisions, but attempted to make sense of them: It would be dishonest to pretend that this is an enjoyable or even a physically comfortable evening. Euripides’ stark tragedy lasts more than two hours (sans interval) and the RSC has mysteriously decided to make the seats in the theatre even more uncomfortable by turning them into backless benches. I was all set to work up an indignant head of steam about this when a thought occurred. It can’t have been comfortable on the stone seats of Greek amphitheatres [sic] and in those days audiences sat through four different plays. Nevertheless, the use of theatre space in Mitchell’s Phoenician Women seriously marred the production’s other qualities. It was the discomfort of the performance that was remembered by most audience members, not the play itself. The public dissatisfaction with the use of space was clearly registered by the director who, despite any pretensions to artistic vision, was compelled to adjust her ideas when the production moved to The Pit at the Barbican in London in June 1996. As The Times critic Jeremy Kingston noted, Katie Mitchell’s . . . production is more audience-friendly in the basin-like pit than on the level floor in The Other Place. Learning from past mistakes, perhaps, Mitchell’s RNT production of The Oresteia was self-consciously more conventionally theatrical in its use of the theatre space. The black box of the Cottesloe Theatre was kept in its regular traverse stage orientation, with seating blocks erected on raised platforms on both sides of the acting space and mounted by black (comfortable) chairs. The upstairs gallery surrounding and overlooking the stage consisted of padded benches and high chairs. So theatre space is a very important element of the design process. It can successfully create a mood (as witnessed by Le Theatre du Soleil), but it must remain functional and comfortable. Directors and designers who do not acknowledge this are imprudent. An audience is prepared to undergo a transformation as it walks from foyer to auditorium, but there is little doubt that an audience will not put up with physical discomfort for too long. To justify pain by saying it was the common experience of the ancient Greek theatre-goer is perverse; it is probable that Greek audience members came fully prepared for a whole festive day at the theatre with cushions and blankets; besides which, audience etiquette, like that inherited by us from our Victorian ancestors, probably did not force the Greek audience to sit in reverential silence or stillness throughout the entire length of four plays. Each director and designer responds to space differently: famously, Peter Brook calls for an ‘Empty Space’, Josef Svoboda calls for a gigantic space, and Jerzy Grotowski calls for an intimate space. The use of space has a profound effect on the audience; in ‘orthodox’ theatre, the lit proscenium stage contrasts with the darkened space of the auditorium and the effect is one of alienation: the audience is aware of a barrier between themselves and the performers, a concept that was entirely absent from the ancient Greek theatre experience. Interestingly, directors often toy with the notions of audience visibility and the breeching of the invisible ‘us and them’ barriers. Peter Hall’s famous 1981 National Theatre production of the Oresteia (DB ref. no. 207) climaxed with the Furies (transformed into the Eumenides) progressing up the steps of the Olivier auditorium as the lights rose to incorporate both masked performers and the audience into the ritual as the audience found themselves cast in the role of Athenian citizens. This was also the case in Katie Mitchell’s Oresteia (1999). In the second of the two parts, The Daughters of Darkness, the theatre space was transformed into the Athenian Areopagus and, accordingly, Athene addressed the seated and visible audience (lit by the house lights) as ‘Citizens of Athens’ and instructed them, This is the first case of homicide To be tried in the court I have established. The court is yours. From today every homicide Shall be tried before this jury Of twelve Athenians. And this is where you shall sit, on the hill of Ares. Not all uses of theatre space or conscientious attempts to break down audience boundaries are as successful. The (2000) production of Aristophanes’ Peace by Chloe Productions at London’s Riverside Theatre (DB Ref. no. 877), in the scene in which the chorus drags away the stone that keeps Peace hidden within her cave, encouraged audience participation by handing them lengths of rope and asking them to haul along with the masked cast. As the cast moved among the audience and coaxed them into action, there arose (from personal experience) a distinct feeling of unease among the passive spectators. In this sense, the attempt to open up the use of theatre space unfortunately failed. In conventional modern theatre performances, the lit proscenium stage or other types of organization of space often allow for a broad visual perspective, but any communication within that space is usually one-directional – from stage to auditorium. The audience members sit next to one another in the darkened auditorium, but there is no communication between them, nor do they necessarily see one another. Interestingly, Katie Mitchell’s use of live video images in her Oresteia frequently highlighted blocks of the audience or even individual spectators and projected their images onto a giant screen, reminding other audience members that they were part of a wider group of spectators sharing a common theatrical experience. Unlike the audience of ancient Athens in the Theatre of Dionysus, modern audiences rarely sit within the scenic environment. The notion of environmental theatre is taken to its furthest extent by Grotowski, who often has his performers address the spectators directly as they walk and sit among them in a space that is totally devoid of theatrical formality. This may not be an appropriate way to best stage Greek tragedies (although it could work well for comedies), where a formal distance of time and space between the actors and audience is often necessary. Of course, there are numerous other spaces for performance: the apron stage, the thrust stage, the arena stage and the surround stage. The apron stage format is one in which the audience sits on three sides of the acting area or part of the acting area. This type of organization was utilized by the Glasgow-based theatre babel’s five-hour triple bill, Greeks (DB ref. nos. 2510, 2524 and 2521), and by Katie Mitchell’s Phoenician Women. The thrust stage is an acting space located in the middle of the audience who are placed on two opposite sides of the theatre space, as used by Katie Mitchell in her National Theatre Oresteia. An arena stage is one in which the audience entirely surrounds the acting space. This can be an effective way of mounting tragedy, but it is not often utilized. An arena stage was adopted by the National Theatre’s production of The Darker Face of The Earth (DB ref. no. 1089), at the Cottesloe in 1999 where the audience was seated on four sides of the acting space, which consisted of a central pit surrounded by movable wooden boardwalks. In a surround stage, on the other hand, the audience sits in the middle and the dramatic action occurs around them. To a certain extent, this (brave) staging was attempted by Nick Ormerod in his design for a production of Antigone in 1999 (DB ref. no. 1091). Here the vast set extended into the auditorium of the Old Vic while additional members of the audience were seated at the rear of the stage. Additionally, performances can take place in a found space, such as a church, a warehouse, or any other space which does not have any other major specifically designed theatrical pieces (sets, etc) imposed upon it, or in a converted theatre space. These are specially found theatre spaces which are transformed by adding designed seating and/or architectural or scenic pieces that help locate the action of the performance. Mnouchkine’s Les Atrides is an excellent example of the use of such a space. The Cardiff-based Welsh language theatre company Dalier Sylw produced its 1992 production of Bakkhai (directed by Ceri Sherlock DB. Ref. no. 2604) in a sparse, largely unadorned, warehouse with no specific audience seating areas; the audience was promenaded around the space which was separated into different (often elaborately designed) locations (the palace at Thebes was a parched stone harem building, Mount Parnassus was a vast mound of wet earth and grass) and was only settled into fixed seating towards the end of the performance in order to witness the Bacchic frenzy. Increasingly, highly specialized spaces for hosting athletic events are being temporarily converted for theatre performances. A Cambridge student production of Trojan Women in 1998 (DB ref. No. 952), for example, set the action in an empty swimming pool, which was awash with blood by the end of the production. Purcarete’s Les Danaides (DB ref. no. 153) was staged in vast exhibition halls in Vienna, Avignon, Amsterdam and Birmingham. Because theatre space dictates so much of the emotional and sensory impact on the spectator, directors seek the most appropriate space possible for each production. When considering a space a director must address a number of important issues, deciding, for example, if the audience and performers should be formally separated from each other and whether the spectators should be observers of or participants in the performance. The director must decide upon the number of entrance and exit locations to be used and whether the entrances will be the same for actors and audience. In addition, a director will engage with the emotional and psychological feel of the space and decide if it should feel open or confined, friendly or hostile. Once the guidelines for these spacial elements have been developed, the director is ready to explore the other visual sign systems: proxemics, picturization and blocking. PROXEMICS Proxemics is a recent discipline of American origin wherein the organization of human space is systematically analysed. As a study of space as it relates to physical distances, notions of proxemics are of fundamental importance to the director. In the theatre, the first step towards designing the production’s mis-en-scene is to determine the nature of the space that the performers will use. The ground plan of the space determines the possible movement of the actors and the special relationships of the characters, since the physical distance between people can relate to social, cultural, and environmental factors. Changes in those spaces can therefore stress character and plot development. A director uses proxemics in his/her manipulation of space and spacial relationships among the setting, objects, and actors. A stage space that is enclosed and cluttered with objects and performers creates a very different mood and atmosphere from one that is open and contains only one simple piece of setting and few performers. Together with the designer, the director will draw up a production ground plan to indicate the proxemic potential of the actors and the theatre space. The ground plan has to be a pictorial representation of the acting space, indicating entrances and exits; it must outline the set, indicate the location of doors, the floor area, any ramps, platforms, pits or trapdoors. The ground plan should also indicate the whereabouts of freestanding props and furniture. Below, a ground plan for the second part of Katie Mitchell’s Oresteia at the National Theatre, indicates her proxemic use of theatre space: The theatrical space consisted of a thrust stage measuring 9. 9m x 12m, with seven main entrance/exits for the actors: one main entrance through the huge steel door at the far end of the acting space and six entrances dispersed around the audience seating-blocks. At the opposite end of the performance area from the great door was a high and narrow platform reached by a stepladder. A trapdoor in the stage covered with a metal drain cover served as the grave of Agamemnon. In the ‘Eumenides’ section of the play, a section of the stage covering was removed to reveal an oblong pool of water. Behind this was a raised rostrum with steps on which stood the ‘statue’ of Apollo. The acting space, seating blocks and surrounding curtains were coloured black. There were several set pieces: upstage left of door was a piano and piano stool. There was a long table (actually composed of two tables) which was unadorned in ‘The Home Guard’ but surrounded with dining chairs in the opening half of ‘The Daughters of Darkness’. In Act II the same two tables were placed together to form a square. Ten chairs (which had first been set upstage, below the high platform, into neat rows and which had been used to seat the sleeping Furies) were placed around the edges. According to Edward Hall (‘The Father of Proxemics’) there are three types of space: fixed-feature space, semifixed-feature space and informal space. In the case of fixed-feature space, the parameters of the acting space are defined by permanent features such as walls, columns, and doorways. A good example of fixed-feature space is, of course, the ancient Greek theatre itself, which had an open thrust acting area (the orkhestra), two fixed levels above (the stage and the roof of the skene) and fixed entrances (into the skene by one or more doors and into the orkhestra via the two paradoi). Furniture and scenic pieces appear to have been kept to a minimum in the Greek theatre, and the playwright often created a change of dramatic location (i. e. scene) through dialogue alone. The acting space used in Les Atrides was also a fixed-feature space, consisting of a bare and sparse open acting area which had no curtains, no flies, and no wing-space, just a huge expanse of a dry, parched-looking sandy floor surrounded by a crumbling blood-splattered wall which was broken up by recesses and a double-doored gate upstage. It looked very much like a bullring. In fact, the acting space was an enclosure within an enclosure: the crumbling wall that enclosed the stage was itself enclosed by a huge wooden wall painted blue like sky or sea, in the middle of which was another big gate that sporadically opened to reveal an expanse of blackness beyond. John Napier’s set design for John Barton’s RSC production of The Greeks at the Aldwych Theatre in 1980 (DB. Ref. no. 138) can also be classified as a fixed-feature space. Enclosed within a fixed proscenium arch, his set was a permanent structure, which comprised of, A large black platform with a scooped-out area in the middle, worn by sun and usage. The Times Education Supplement critic, Bernard Crick, described the permanent structure as, [A] clean, uncluttered, open and steeply raked stage, basically a rectangle with a circle in it that can suggest, at different times, an arena, a meeting place, a secret grove. . . . There was a bare stage, except for a few bushes by a golden mask of bloody Artemis mounted on a totem pole. Dionysis Fotopoulos also created a fixed-feature space for the design of Tantalus (DB. Ref. no. 2578). Also enclosed behind a formal proscenium arch, a basic circle (or pit) of sand surrounded by curved metallic walls served to function as a modern-day beach on a Greek island, the palace of Mycenae, the Greek camp, the city of Troy, the corn fields of Phthia and many other locations. For The Clytemnestra Project (a working of Iphigeneia at Aulis, Agamemnon, and Electra. DB ref. no. 1029) at the Guthrie Theatre in 1992, set designer Douglas Stein created a proscenium arch fixed set that consisted of a sixteen-foot curved rake that resembled a hill or cupped saucer which was backed by two simple semi-circles of white starched curtains that extended the concentric circles of the stage up to the fly tower. Together they created a strong notion of a horizon. The inner circle at the center of the stage was given a polished black gloss so that it shone and contrasted to the white curtains. The overall effect was of restrained, almost Japanese, elegance. As Dramaturg Jim Lewis noted in his production notebook, There will be no mistaking this environment for a realistic setting. It is a sacred space in which actors will perform; the audience is included in this space, invited to observe the action of the plays along with the chorus. A semifixed-feature space identifies a performance area in which there are design elements (furniture, props, scenery pieces) that have size and/or bulk but which can be moved during the performance. This was a noticeable feature of Katie Mitchell’s Oresteia, in which a simple trestle table became the focus of major dramatic action: in ‘The Home Guard’ it became a catwalk for Agamemnon and a place of sanctuary for Cassandra, while in ‘The Daughters of Darkness’, as the action moved into the palace at Argos, the table was placed downstage (in the same position that it had occupied in ‘The Home Guard’) so that it dominated the action of the following scenes. It was surrounded with dining chairs and covered with a dazzling white tablecloth and napkins and set with elegant crockery, glass and silverware. The table played a vital part in the staging of the latter half of the ‘Choephoroi’ section of the play since it was here that the royal family sat to receive their foreign guests (Orestes and Pylades) and it was here that the ghosts of the dead Agamemnon and Iphigeneia (and the murdered old man of the chorus of ‘The Home Guard’) joined their living relatives for supper. When the bloodlust began, the order of the dining table was literally overturned and glasses, crockery and furniture were strewn across the acting area. The corpse of Clytemnestra was laid on the table and it was from this position that her ghost was reanimated at the end of Act I. In direct contrast to the fixed-feature and semifixed-feature spaces, an informal space is an open space with no structural definition at all. Open-air and promenade productions fall under this heading. An example of this kind of staging would be the Australian director Greg McCart’s production of Oidipus the King set within a basalt quarry and played at sunset (DB ref. no. 156). PICTURIZATION AND BLOCKING The theatrical process comes to life for the audience when they observe stage ‘pictures’, either in movement or in static formation; in other words, the audience witnesses either a series of frozen moments or a flowing sequence of movements which results in a constantly changing and developing significance to characterization and/or plot. ‘Frozen moments’ can be classified under the heading picturization (although the terms tableau or tableau vivant may be just as applicable). This is a major feature of Oriental theatre, particularly Japanese Kabuki productions, where the formalized frozen pose is given the name mie. Not surprisingly, picturization has been a major visual facet of ‘Orientalist’ productions of Greek tragedy, in particular Mnouchkine’s Kathakali-inspired Les Atrides and Ninagawa’s Kabuki-style production of Medea (DB ref. no. 177) and Suzuki’s Noh-style Trojan Women (DB ref. no. 1086), his Kabuki Dionysus, and his hybrid East-West Clytemnestra (DB ref. no. 1028). The nature of Greek drama, given the inherent elements of the chorus, is especially given to the creation of moments of picturization. The movement of actors around the stage is known as blocking. It is important that the director, sometimes in collaboration with the designer(s) and choreographer(s), using the ground plan as a tool and visual aid, ‘blocks’ the play in the early stages of rehearsal. Good blocking should allow the actors to be visible to the audience and enable characters to move around and on and off the stage. Blocking should also contribute to the communication of emotion and to plot development by tracing character relationships and focusing the action to give emphasis to an event or series of events. For Greek drama, the notion of blocking is intimately connected to the issue of choreography; in fact, the two are almost inseparable. This merging can take the form of strict ‘dance routines’ such as the powerfully evocative Kathakali steps employed by the stunning chorus of Les Atrides, the Oxford Playhouse corps de ballet of young girls in Helen Eastman’s production of Iphigenia at Aulis (DB ref. no. 966), and the Aboriginal chorus in Greg McCart’s Oidipous the King. Alternatively, the merging of blocking and choreography can result in carefully controlled movement utilized for comic effect, such as the Keaton and Chaplinesque slapstick routines of Dictynna Hood’s 1997 Birds (DB ref. no. 854), or the controlled wheel-chair manoeuvrings of Katie Mitchell’s chorus of war veterans in The Home Guard. Donald McKayle, the choreographer for Tantalus, recalls that movement, gesture, blocking and dance were indistinguishable and that, There are no set dance pieces in ‘Tantalus’. The dance is part of the dramatic fabric. It gives colour and weight and variety to the words. There are so many words. Sometimes the dance extends to one or two minutes but often it lasts just a moment or two. Sometimes I give movement a vocabulary to the actors to utlize within a scene. It’s a fascinating experience of underscoring dialogue with gesture as well as sound. As we have seen, space is central to the performance’s meaning(s). Directors acknowledge that the size, shape and layout of a theatre space directs, even dictates, a performance’s mise-en-scene. Some directors, like Greg McCart and Ceri Sherlock, even choose to look outside the traditional theatre space for an appropriate place to bring a concept, a script, performers and audience together. For others, like Katie Mitchell and Nick Ormerod, a more conventional theatre space is chosen, but used in imaginative new ways. In either case, however, space is seen as a pivotal element in the directorial relationship between the performance and its spectators.

Chemistry of Cancer

Molly HubnerPeriod 1Extra Credit Paper Chemistry of Cancer Cancerous cells develop when conditions for cells are favorable, therefore following the divisions to continually occur, never stopping. When this happens, a tissue mass of cells called a tumor is formed and does not respond to normal controls regarding cell growth. Cancer cells have the following characteristics: profound changes in the plasma and membrane cytoplasm, abnormal growth and division weakened capacity for adhesion, and lethality. The membrane permeability is intensified and some proteins may be altered or added. Enzyme activities may also change and the cytoskeleton shrinks, causing a chaotic atmosphere. Controls are lost and cell populations will dramatically increase. New proteins cause abnormal increases in small blood vessels. Due to the high numbers, the cells can no longer attach itself to the parent tissue. Unless the cancerous cells are removed, they will kill the individual. Cancer is the number one killer in America today. We can say the known causes of cancer are radiation, sunlight, pollution, cigarette smoking and improper diets. I will explain the major causes of cancer, but before I proceed let me define the term â€Å"cancer. To be defined cancer is an abnormal, uncontrolled growth of cells that can spread beyond their natural boundaries to other parts of the body. Cancers can develop in numerous parts of the body. At first oncogene, genes with highly specialized functions were said to be the † cancer genes â€Å". This of course was wrong as oncogene promote normal c ell division and growth as well as the repair and replacement of damaged cells. Cancer starts when one out of as many as one trillion cells goes awry. When first damaged the cell loses its external controls and then the internal controls defect. From this it tries to develop a new set of internal controls by multiplying at a rapid pace which spreads colonies throughout the body. Cancer has been said to have two steps: mutation and promotion. During mutation the cell has been hit and permanently damaged; the cell is primed and ready to be molded known as a cancer cellPromotion is the cell division of the cancerous cell which then loses its controls- it then compensates itself by becoming an autonomous body Cancer can take 10 – 15 years to become fully developed, this depending on the cause or the ggressiveness of the tumor. Mature cells tend to progress slower. Metastases is the final stage when cancer is spread through the body by blood vessels or lymphatic channels. Single metastases can be cured usually by surgery or radiotherapy and multiple metastases is cured by chemotherapy . Metastases follows a path- from the primary tumor to a specific organ or organs. Lung Cancer is a disease marked by uncontrolled growth of abnormal cells. The abnormal cells may no longer do the work of normal cells and in turn crowd out and destroy the healthy tissue. Most of the victims of cancer die from lung cancer. Many of these cases could have been avoided because it most often occurs in people over the age of 50 with a history of smoking. There are different types of lung cancer involving different parts of the lungs. They have different symptoms and are all treated differently. If the cancer is located in one of the bronchi it can irritate the lining of the bronchus and cause a chronic cough. Otherwise known as â€Å"smokers cough†. In serious conditions of this cough some might actually cough up blood. If the cancer spreads it may fill up the bronchus so air cannot easily pass in or out. Repeated lung infections and pneumonia are common with this condition. The leading cause of lung cancer is smoking. Cigarette smoke contains more than 4,000 different chemicals, many of which are carcinogens (may cause cancer). The three of the most damaging toxins are nicotine, tars, and carbon monoxide. Second-hand smoke inhaled by both smokers and nonsmokers is another important cause of lung cancer. Smoking is responsible for 90% of lung cancer deaths among men, 79% among women. Also smoking accounts for about 30% of all cancer deaths. Smokers that inhale two or more packs of cigarettes a day, have a cancer mortality rate 12-25 times greater than a nonsmokers. It has been estimated that if all the smokers in America stopped smoking, lung cancer would be virtually gone. The best known carcinogen is asbestos. Others include nickel, chromate, and vinyl chloride. Risk of lung cancer is greatly increased when combined with smoking. It is obvious that cigarette smoking is the single most powerful cause of lung cancer. The increase in risk has been observed not only in men, but more recently in women, for smoking has come engage in activities formerly considered the domain of men. Depending upon the number of cigarettes smoked, and the number of cigarettes smoked each day can increase the risk of lung cancer. It is clear that there is a definite and direct dose-response relationship between the smoking dose and the development of cancer. I believe that if someone smokes even a pack of cigarettes a day it will increase the risk of getting cancer. Radon is the second leading cause of lung cancer. It is a radioactive gas found in the earth's rocks and soil, formed by the natural breakdown of radium. Excessive exposure of radon in the home may increase the risk of lung cancer especially in smokers. If the radon levels are found to be to high, remedial actions should be taken. Another cause of cancer is on the job exposure to carcinogens . You can't see radon. And you can't smell or taste it, but it may very well be a problem in your home. It is estimated to cause many thousands of deaths each year. Radon is a cancer-causing, radioactive gas, and when you breathe air containing the gas, you can get lung cancer. In fact, radon has now been declared the second leading cause of lung cancer in the United States today. Only smoking causes more lung cancer deaths. If you smoke and your home has high radon levels, your risk of lung cancer is especially high. Radon can be found all over the United States. It comes from the natural breakdown of uranium in soil, rock and water and gets in to the air you breathe. Radon can get into any type of building, homes, offices, and schools and build up to high levels. But you and your family are most likely to get your greatest exposure in your home because that is where you spend most of your time. In recent years Cancer is disease that has seemed to scared and infected Americans. Cancer is the second leading cause of death in the U. S. with more than 1 million new cases occurring a year. With each day scientific findings give a better understanding of the causes of the disease. These findings have opened doors to help treat cancer patients more effectively. Scientists have gained a more specific knowledge of individual cancers and now through the wonders of science have found effective treatments for the disease. To treat Cancer doctors and scientist need an understanding of what the disease actually physically does. Cancer is defined as â€Å"new growth of tissue resulting from a continuing proliferation of abnormal cells that have the ability to invade and destroy other tissues. † Cancer is not restricted to what type of cell and tissue it may emerge from. Therefore, they describe the disease as a large number of diseases as opposed to just on single disease. Because Cancer involves cells that can easily enter the bloodstream the disease has the ability to spread quickly through the body making it an even more dangerous disease and harder to stop. The idea behind surgery for treatment of cancer patients is to remove all malignant cells and tumors. With new, more precise, surgical advances, far less tissue is required to be removed thus resulting in a quicker recovery and less chance for serious disability. Surgery is most effective if done in the early stages of Cancer, although it is effective in more developed stages in relieving symptoms. Surgery is also used to make other forms of treatment, such as radiation, more effective. With the reduction of the tumor through surgery radiation treatment may effectively eliminate the tumor. Radiation treatment of cancer uses gamma rays attack Cancer causing tissue. Since tumors are more sensitive to radiation than normal tissue radiation can effectively eliminate or reduce harmful tissues that surgery can otherwise not remove. Since normal tissues are not as easily harmed by radiation, the negative effects on healthy tissue are not as severe. If the tumor is reduced through radiation, it may become possible for a doctor to eliminate the tumor through surgery. Radiation can also sterilize tumors thus preventing or slowing the spread of the Cancer through the body. This can also help doctors remove the tumor more easily through surgery, and provides a much less involved, painful surgery. The combination of radiation and surgery, if effective, can offer a cure with fewer negative side effects to the patient. The final traditional means of treating cancer is Chemotherapy. This form of treatment involves the use of drugs. Chemotherapy is used when Cancer has grown throughout the body and is no longer accessible through radiation or surgery. Although after chemotherapy, surgery is often used to eliminate remaining Caceres tissue. In this treatment drugs are administered and pass through the blood stream effecting Cancer tissue and healthy tissue. Since the drugs affect healthy tissue the patient will become sick from the treatment but because healthy cells divide faster than malignant cells the patient is able to recuperate. Chemotherapy, like all Cancer treatments, is most effective when administered early the early stages of the disease. It is also important that the treatment is consistent and administered frequently in order to achieve the most successful results. Cancer is one of the most leading causes of death in women, children and the elderly in the United States of America. Cancer is the number one killer in America today. We can say the known causes of cancer are radiation, sunlight, pollution, cigarette smoking and improper diets. Until this day we can say the causes of cancer are many and definitely complex, while the development of most cancers still remain unexplained. Bibliography Avendano, Carmen, and J. Carlos Mendes. Medicinal Chemistry of Anti- Cancer Drugs† ElSever: Hardbook. April 2008 Kotasek, Dusan, and Peter Pannall. Cancer and Clinical Biochemistry. UK:ACB. Venture Publications, 1997

John Donne- A Valediction Forbidding Mourning, Pseudo-Marty essays

John Donne- A Valediction Forbidding Mourning, Pseudo-Marty essays John Donne is known today as being the chief writer of verse known as metaphysical poetry, which features elaborate conceits and surprising symbols, wrapped up in original, challenging language structures. John Donne was born to a Roman Catholic family in 1572 on Bread Street in London. Although he was born to a well-known Catholic family, he later converted to Anglicanism during the 1590s. His father died when he was only four and left him and his other two siblings to be raised by their mother. Donne learned his first years of education form Jesuits, but at the age of 11, he entered the University of Oxford. He only studied there for three years before transferring to the University of Cambridge, where he spent the next three years studying. However, he did not receive a degree from either of these universities because he could not take the Oath of Supremacy required to graduate. He began to question his faith when his brother gave shelter to a proscribed Catholic priest and was a rrested. His brother died in prison due to a fever in 1593. Soon after, he began his first writings and first book of poems, Satires, which is considered one of his most important literary works. By 1598, his career in law was becoming successful, however, in 1601, he secretly married seventeen-year-old Anne More, and thus destroyed his flourishing career. For the next twelve years, he struggled to support his growing family. He made a meager living as a lawyer, but received some assistance from friends and family to make ends meet. Donne continued to write and as he approached forty, he published two anti-Catholic polemics Pseudo-Martyr and Ignatius His Conclave. In 1615, Donne unwillingly joined the ministry and later that year was appointed Royal Chaplain. 160 of his sermons survive in completion today. Anne Donne died just two years later after she gave birth to the couples twelfth child, a stillborn. Only 7 of their children actually outlived ...

Free Essays on Education Or Certification

EDUCATION OR CERTIFICATION? Hands-on experience. Without it, your chances for obtaining any worthwhile technology position are bound to be rather slim, even with a degree! For decades Universities have been the default location for higher learning. At the same time, the increasing demand and use of technology has created a need for the specialized training and courses that aren’t found at traditional universities, but through certification or technical schools. College does a great job of exposing you to different aspects of the Information Technology (IT) field, but no real specialized instruction. On the other hand, certification focuses on specific skills but doesn’t leave much room for a variety of career choices due to a limited knowledge base. The purpose of colleges of technology (certification schools) is to conduct in-depth learning in specialized disciplines and to develop student's abilities necessary for employment. Colleges of technology, unlike universities or junior colleges, admit the graduates of lower secondary schools. The purpose of universities, as the centers of advanced learning, is to provide students with wide-ranging knowledge and to conduct in-depth teaching and research in specialized academic disciplines. The term of study is usually four years. Upon completion, graduates are awarded a bachelors degree. Due to the effects of the economy and the expanding IT field, many companies are demanding a little more than just a degree. So which better prepares students for the world of work; Universities or Tech Schools? To answer that question we first need to know what information technology is composed of. Information Technology is the field of careers that deals with the accumulation, storage, management, and retrieval of data. Beyond that, it also involves the development of the hardware and software that handle this massive data accumulation and storage. As you see, it can be subdivided into... Free Essays on Education Or Certification Free Essays on Education Or Certification EDUCATION OR CERTIFICATION? Hands-on experience. Without it, your chances for obtaining any worthwhile technology position are bound to be rather slim, even with a degree! For decades Universities have been the default location for higher learning. At the same time, the increasing demand and use of technology has created a need for the specialized training and courses that aren’t found at traditional universities, but through certification or technical schools. College does a great job of exposing you to different aspects of the Information Technology (IT) field, but no real specialized instruction. On the other hand, certification focuses on specific skills but doesn’t leave much room for a variety of career choices due to a limited knowledge base. The purpose of colleges of technology (certification schools) is to conduct in-depth learning in specialized disciplines and to develop student's abilities necessary for employment. Colleges of technology, unlike universities or junior colleges, admit the graduates of lower secondary schools. The purpose of universities, as the centers of advanced learning, is to provide students with wide-ranging knowledge and to conduct in-depth teaching and research in specialized academic disciplines. The term of study is usually four years. Upon completion, graduates are awarded a bachelors degree. Due to the effects of the economy and the expanding IT field, many companies are demanding a little more than just a degree. So which better prepares students for the world of work; Universities or Tech Schools? To answer that question we first need to know what information technology is composed of. Information Technology is the field of careers that deals with the accumulation, storage, management, and retrieval of data. Beyond that, it also involves the development of the hardware and software that handle this massive data accumulation and storage. As you see, it can be subdivided into...

How to Land an Executive Position With Expert Wendy Enelow

How to Land an Executive Position With Expert Wendy Enelow Wendy Enelow is an expert on finding, and keeping, a job. Whether shes showing us how to get the perfect resume at Resume Writing Academy or leading thinkers on the cutting edge of recruiting and hiring at Career Thought Leaders, you wont find anyone whos more focused on careers. Wendy talked with us about finding an executive role in the modern day.When someone is looking to step into an executive role, whats the first thing they should do?Determine whether or not they have the requisite skills, qualifications and credentials for the positions they are targeting. If not, they should determine the best place to acquire those skills either through employment or an educational program. No need to apply if youre not yet qualified. Equally important is finding an executive mentor or sponsor who can work with you to promote your candidacy to the company and/or position that youre targeting.How does finding an executive role differ from finding another job?Savvy executives who are seeking new opportunities should engage in high-level job search activities, including online networking, in-person networking, blogging, target company outreach, recruiter outreach and direct mail/email. They might also respond to specific online job postings, although that should not be the crux of their search campaign, as its the least effective way to find a new position. Most other job seekers should engage in as many of these activities as are relevant to their career objectives. Perhaps the most significant difference is that executive job searches generally take longer since there are less positions available, the competition can be fierce and the hiring process itself takes a great deal of time.If an employer needs to fill an executive position, where should they start looking?Some employers will reach out to executive recruiters to handle the task of recruiting new management and leadership. Although the price tag is high, recruiters will find the candidates of choice and presen t them to the company. Alternative strategies, which can be just as effective and much less costly, include using LinkedIn to identify and connect with qualified candidates, searching groups of interest to the companys industry or profession to find group members with the qualifications the hiring company is seeking, creating a Facebook page and Twitter account to attract quality candidates to the company, and networking with company personnel, suppliers, business partners and others who know the people that they may want to hire.How important is the resume to finding an executive position, and why?The resume is any professionals calling card, giving enough important information and sharing the right achievements and success stories to entice the hiring company to invite the candidate for an interview. Just as important in todays world of online job search is the LinkedIn profile. In fact, LinkedIn can be more important when a company is doing their initial sourcing; then, the resum e comes into play after the candidate has been identified on LinkedIn, which is the primary social media platform for executives.What do you wish everyone knew about writing a resume?The most important thing to know about resume writing is that youre writing to the futureto the position and industry that youre targeting. Resumes are NOT autobiographical essays of everything youve done throughout your entire career. Rather, theyre career marketing communications designed to sell your distinctive qualifications, experiences, achievements, educational credentials and more. Resumes are the appetizers; candidates are the main course (once they get an interview)!What trends in executive hiring should we be watching for in the future?Perhaps the greatest trend will be in the specificity of expertise. Companies want to hire executives with very specific expertise in their industry, product or technology executives who can solve problems and overcome challenges, executives who can optimize opportunities and deliver results by leveraging what theyve already accomplished and who they know. And companies want virtually immediate results. They dont want the plan that will turnaround the business in two years; they want the turnaround now.

Policy Paper(Financial Aid and Affordability of Higher Education) Research Paper

Policy (Financial Aid and Affordability of Higher Education) - Research Paper Example Million students around the world who have desire to learn and gain higher education leave their dreams because of the factor of affordability. As at times they have to face a situation where they have no option but to quit studies because their financial standings does not allow them to pursue their degrees, however in order to ameliorate and come out from this catastrophic situations some students rely on loan and grants that are available for them in the shape of public, private and other sectors. Meanwhile the main reasons behind this affordability issue is because of continuous inflation in tuition fees, and also the poor economic conditions of the country which one way or other is directly or indirectly responsible for increasing the cost of running for institutions. As a consequence families, students, taxpayers, lawmakers (and institutions itself) all are affected. Since many American understands the value of degree (higher education) and the possible fruits and outcomes that are likely to come if one is successful in attaining or achieving the degree, or in other words they have clear understandings that higher education is prerequisite for employment these days and is necessary in so many different regards (AASCU, 2011). However in pursuing the degree often students at times have to face a situation where they have to leave or quit a degree because of affordability, some go for financial aid in order to come out from this situation as they believe this is a solution, while others are lost in translation and this financial aid systems and procedures turns out to be a nightmare for them. Moreover Heller & Marin (2002) highlighted very important phenomenon in this regard, they believe that since financial aid is awarded considering merit, competence and ability rather than considering need therefore, majority of students who are not very much blessed with extra ordinary talent or they have some lacking in terms of potential are persistently avoided. As a result their dreams and desires of going into a college is completely wiped off because they cannot afford tuition fees and are not able to acquire financial aid because of merit (Heller & Marin, 2002). Meanwhile this paper is an attempt to explore and highlight the issues and concerns related to affordability factor in order to achieve higher education, furthermore possible remedies and solutions will also be engrave in this paper pertaining the context of ambiance of higher education. Moreover American Association of States Colleges and Universities (AASCU) public policy agenda will also be explored in this paper as this has mainly to deal with ensuring the goals of higher education are met in perpetuity. Similarly role of Federal government and AASCU in terms of ensuring higher education considering the affordability factor will also be scrutinized and the role of Ohio State (Ohio Board of Regents) in making ways and successfully achieving goals and initiating new plans in this regard will also be the part of this paper. HISTORY: Initially higher education institutions in the United States were only focusing on providing services to elites and to those who were willing to join the Christian religious groups (clergy) (Thelin, 2004). However this perception of people has undergone a change because of the continuous evolution in purpose of higher educat

Office rotation Essay Example | Topics and Well Written Essays - 500 words

Office rotation - Essay Example The explorer instruments were used to check around the tissue, the scalar instruments cleaned the subgingival tissues, both posterior and anterior, and the universal instrument cleaned subgingival tissue as well. Then, the hygienist finished with a slow speed polish of all the teeth. The patient was satisfied with the process; because they found their teeth feeling smoother and fresher as compared to prior to the examination. Next, I observed the second hygienist. During this process I noticed she used a different order from what I learned from school. At first, she explored the teeth with the explorer instrument for any issues. Then, she polished all the plaque off from the teeth. At the time, I thought she was finished with the patient; after polishing these teeth. However, she went back, scaled each tooth, and polished again. Polishing first is a useful technique. This is due to the fact that a patient with a lot of plaque can necessarily benefit from the added attention to detail . This experience will be useful for me to improve my understanding of how the dental office operates. The hygienists were very helpful and explained the operations in the office. In addition, I was able to take the time to interact with the patient and assist if needed. Yet, it must be understood that each and every dental hygienist, and each and every dentist’s office for that matter, operates in a different and unique way. As such, I feel that I am more enthusiastic to adapt to the way I which dental offices will approach the patient and utilize new skills and new techniques. I did not have any negative experiences to add; as I was lucky to have a wonderful office to observe on this

Childhood memory Essay Example | Topics and Well Written Essays - 500 words

Childhood memory - Essay Example The intricacies of a busy family life then was the culprit for my entering school almost two months after the official opening of classes. I gathered, they just forgot. I can still remember the fear I have inside with my heart throbbing ferociously. There I was in my crisp new uniform with a heavy bag loaded with books sheepishly creeping in the classroom accompanied by my mother. Her warm hands clasp my cold sweaty palms. There she was, the teacher – Miss Cruz, (I could never forget her name) smiling and beckoning me to her side. She briefly made a short, rather loud introduction in front of those staring, rather, glaring eyes attached to little children seated in their respective desks. I somehow wondered how in the world did I get an instant desk. And how come they all seem to know each other – whispering to each other (aloud) –when I could hardly recognize any of them? My mother started to bid me goodbye but I refused to get my sweaty hand’s grasp out of her warm palm. No, mommy! Don’t leave me here with these strangers all staring at me like I am some alien from another world – so I thought. With relentless reassurance from Miss Cruz (who started to take my hand off from my mother) and my mom who promised she would stay only outside the classroom where I can still see her and wait until classes are over – did I finally succumb. Anyway, they added, recess is almost near. What is the world does that mean? I wondered. After being seated, a girl right beside my desk, in braids and spectacles, Rebecca, started to talk to me. She asked me what my name was and offered to assist me in the topic they were discussing when my entrance rudely interrupted them. She appeared friendly and her spectacles prevented me from seeing her stare. After that tragic, drastic, nerve-wrecking day, as a naà ¯ve girl of five, I started my academic journey of which until

Critical Appraisal of Qualitative Research Assignment

Critical Appraisal of Qualitative Research - Assignment Example To maintain data untainted in any way, researchers and interviewers need to create questions in ways that would not affect the outcome through preconception of answers from the interviewees (Smith, Flowers, & Larkin, 2009). Using methods least-likely to affect the interviewees by allowing them to be themselves without necessitating them to change their attitudes and collecting data as soon as possible, biases or inconsistencies in interviewee data can be minimized. An approach on qualitative interviewing called phenomenological analysis has been devised so as to prevent such biases, wherein there is a need to find out the phenomenon of a lived experience by allowing researchers to take part in another individual’s experience and interpret these experiences based on their own and within their consciousness (Letts, et al., 2007; Smith, et al., 2009). The phenomenological analysis is concerned with collecting human experiences using philosophical principles and rationale in study ing human experiences through various and vivid descriptions of each experience (Holloway, 2005). After the delivery of either a highly-specific or highly-generic question, collation of data is done through the assimilation of similarities and differences and tallying the results so as to find out any factors that might have any effects on the experiences of the interviewees. By using a minimalist approach, interviewees are allowed to give much more focus on the effects or the impact of their own experiences rather than analyzing the reasons on why they had these experiences in the first place (Wimpenny & Gass, 2000). Reduction or bracketing in conducting interviews using the phenomenological analysis is considered so as to prevent any misconceptions or presuppositions on behalf of both parties. However the use of such an analysis is not considered to be an ultimate method in itself since phenomenological analysis does not employ any exacting style or process, thus it is considered to be an approach in obtaining data (Wimpenny & Gass, 2000). With regards to specific methods, the Grounded theory can be considered because it utilizes methods of obtaining qualitative data via approaches such as phenomenological analysis in the identification of social processes in any given situation (Letts, et al., 2007; Mills, Bonner, & Francis, 2008; Wimpenny & Gass, 2000). However, similarities end here as grounded theory is not used in its entirety but instead is only employed as one of the methods used in order to obtain qualitative data, whereas phenomenological approach is seen as abstract and generalised concept in the process of theory formulation and analysis of qualitative information (Wimpenny & Gass, 2000). Thus, the grounded theory can be employed as only one of the few methods to systematically obtain qualitative data, and the phenomenological approach is the overall driving force.

Direct and Internet Marketing Research Paper Example | Topics and Well Written Essays - 3000 words

Direct and Internet Marketing - Research Paper Example From appearing first in 1952 in annual report of GE (Annual Report, New York: General Electric Company, 1952) marketing concept has acquired the most important aspect for any organization. An organization that has a market orientation focuses its efforts on. The ever changing situation of the market i.e. of buyers, suppliers, customers, employees or technological could change the equilibrium of any organization. Organizations normally adjust to these changes by changing their overall all-round policies and strategies. The market-led approach has three components: Consumer orientation, Competitor orientation and Inter-functional co-ordination (See Appendix). The result is today's "Customers era", in which firms seek continuously to satisfy the high expectations of customers. An important outgrowth of this focus on the customer is the recent attention placed on customers relationship management (CRM), the process of identifying prospective buyers, understanding them intimately and developing favorable long term perceptions of the organization and its offering so that buyers will choose them in the market place (Srivastava, Shervani and Fahey, 1999). This process requires the involvement and commitment of managers and employees throughout the organization and a growing application of information, communication and Internet technology. Now reaching perspective buyers either, directly or indirectly is a prerequisite for successful marketing. To reach out to the customers organizations use different channels through which goods and services from the producer/providers flows to buyers either through intermediaries or without them. To communicate with customers, a company can use one or more of five promotional alternatives: advertising, personal selling, public relations, sales promotions and direct marketing. The first three alternatives are often use mass selling because they are used with groups of perspective buyers. In contrast, personal selling uses customized interaction between a seller and a perspective buyer. Personal selling activities include face-to-face, telephone and interactive electronic communications. Direct marketing also uses messages customized for specific customers. Direct marketing uses direct co mmunication with consumers to generate a response in the form of an order, a request for further information, or a visit to a retail outlet (Economic impact: U.S. Direct marketing today, New York: Direct marketing Association, 1998). The communication can take many forms including face to face selling, direct mail, catalogs, telephone, oscillations, direct response advertising (on television and radio and in print), and online (Internet) marketing. It has an advantage of being customized to match the needs to specific target markets. Messages can be developed and adopted quickly to facilitate one to one relationship with customers. Direct marketing have certain disadvantage First direct marketing requires a comprehensive and up to date data base with information about target market. Developing and maintaining the database can be expensive and time consuming.

Reflection Assignment Example | Topics and Well Written Essays - 500 words - 1

Reflection - Assignment Example I remember when I started learning English it was not that easy for me to get hold of it since I came from an Arabic background. However, had my mom not made sure that all the siblings spoke to each other in English, my speech wouldn’t have been the way it is. Hence, the maintenance factor came in which helped me continually polish my language skills. I also agree to Baker when he says one of the reasons for acquiring a second language is to make you culturally aware. I remember when I moved into college it wasn’t really that difficult for me to get along with other students since I had a pretty good understanding of the English culture and the language itself. However, I noticed how people who weren’t really familiar with the English language and culture found it very difficult to get along with the local students. It’s inspiring to see how Baker has put down in words a lot of thing that I have experienced in real life. Being a bilingual and aware of the local language of a country also helps you a lot in getting selected for a job. Baker has correctly mentioned this point in his book by saying that acquiring language helps a lot in career in employment. Not only the employment factor but it also helps a great deal in communicating effectively with foreigners while closing trade deals etc. I can totally connect the dots here to my own experience. I remember how one of my cousins raised in Arabia found it very challenging in finding a proper job in out country. Not that he wasn’t good at academics or anything but most of the potential employers told him the only reason they are hesitant about hiring him is that he isn’t familiar much with the English language and they believe it might some how hinder his performance at work. I believe going through Baker’s â€Å"Second Language Acquisition And Learning† has not only conformed my beliefs as to what I think of being a bilingual but it has further

Direct and Internet Marketing Research Paper Example | Topics and Well Written Essays - 3000 words

Direct and Internet Marketing - Research Paper Example From appearing first in 1952 in annual report of GE (Annual Report, New York: General Electric Company, 1952) marketing concept has acquired the most important aspect for any organization. An organization that has a market orientation focuses its efforts on. The ever changing situation of the market i.e. of buyers, suppliers, customers, employees or technological could change the equilibrium of any organization. Organizations normally adjust to these changes by changing their overall all-round policies and strategies. The market-led approach has three components: Consumer orientation, Competitor orientation and Inter-functional co-ordination (See Appendix). The result is today's "Customers era", in which firms seek continuously to satisfy the high expectations of customers. An important outgrowth of this focus on the customer is the recent attention placed on customers relationship management (CRM), the process of identifying prospective buyers, understanding them intimately and developing favorable long term perceptions of the organization and its offering so that buyers will choose them in the market place (Srivastava, Shervani and Fahey, 1999). This process requires the involvement and commitment of managers and employees throughout the organization and a growing application of information, communication and Internet technology. Now reaching perspective buyers either, directly or indirectly is a prerequisite for successful marketing. To reach out to the customers organizations use different channels through which goods and services from the producer/providers flows to buyers either through intermediaries or without them. To communicate with customers, a company can use one or more of five promotional alternatives: advertising, personal selling, public relations, sales promotions and direct marketing. The first three alternatives are often use mass selling because they are used with groups of perspective buyers. In contrast, personal selling uses customized interaction between a seller and a perspective buyer. Personal selling activities include face-to-face, telephone and interactive electronic communications. Direct marketing also uses messages customized for specific customers. Direct marketing uses direct co mmunication with consumers to generate a response in the form of an order, a request for further information, or a visit to a retail outlet (Economic impact: U.S. Direct marketing today, New York: Direct marketing Association, 1998). The communication can take many forms including face to face selling, direct mail, catalogs, telephone, oscillations, direct response advertising (on television and radio and in print), and online (Internet) marketing. It has an advantage of being customized to match the needs to specific target markets. Messages can be developed and adopted quickly to facilitate one to one relationship with customers. Direct marketing have certain disadvantage First direct marketing requires a comprehensive and up to date data base with information about target market. Developing and maintaining the database can be expensive and time consuming.

Body Theories, Practices and Culture Essay Example | Topics and Well Written Essays - 1500 words

Body Theories, Practices and Culture - Essay Example These enhancements have little to do with individual health. In Western cultures, body enhancement is used to strengthen individual image and personal marketability and celebrate the ability to achieve a better position in the consumer society. Enhancing yourself Humans are social beings, and society causes profound effects on the individual perceptions of self. The mass culture of consumerism, mass media and changing social norms impose new requirements on society members. Different cultures foster different norms of self-enhancement and wellbeing. In the Western society, slender tanned bodies operate as vehicles of marketable self, the drivers of seduction, and the instruments of achieving a strong competitive advantage (Featherstone 1991). When I decided that I wanted to get rid of a few kilos, I did not realize the underlying meaning of self-enhancement practices. One day, I looked into the mirror and felt that the picture in the mirror differed greatly from what I wanted to see. I thought that getting rid of a few kilograms and making my body tanned would give me a sense of huge personal satisfaction. I was never afraid of challenges; moreover, I always sought to accomplish challenging missions. I thought that body enhancement through ex ercise and tanning would improve my physical appearance. I also felt that self-enhancement would strengthen my confidence that I was able to achieve a better result, keep myself fit, and control my appetite. This being said, I went to a fitness club and, three months later, I could not recognize myself. Tanned, slim, and fit, I looked several years younger. Friends and relatives would look surprised and envious at how I looked. Undoubtedly, the strategy I used to enhance my body was more than an instrument of physical improvement. It was just a tiny element of the broader cultural movement, where individuals use their physical attributes to market themselves and acquire a better social position/ status. Understanding self-enhancement For the purpose of this analysis, the concept of self-enhancement should be defined and analyzed. Since the concept of enhancement is difficult to define, it is easier to see what enhancement is not. Enhancement is not used to treat physical illnesses ( DeGrazia 2005). It would be fair to assume that enhancement is a kind of intervention used â€Å"to improve human form or functioning beyond what is necessary to sustain and restore good health† (DeGrazia 2005, p.263). Simply stated, enhancement is never a response to medical needs; it is an instrument of enhancing individual abilities and physical form in the absence of clear medical needs (DeGrazia 2005). My decision to enhance the body had nothing to do with my physiological health. I felt perfect; what I needed was to fit in society’s body expectations. I wanted to exceed those expectations. I wanted to celebrate the cult of the human body. I wanted to make a positive difference and look better than the majority of my friends and peers. I know that body enhancement strategies like training and fitness are considered natural, positive, and virtuous (DeGrazia 2005). Fitness is the model of self-enhancement which, in most cases, lacks artificiality and is rarely conde mned by society (DeGrazia 2005). Thus, self-enhancement lacks medical focus, provides a sense of self-satisfaction, and creates a positive image and public perception of

Management and Human Resource Development Essay Example for Free

Management and Human Resource Development Essay 1.Integration with organizational missions and goals According to Garavan (1991), integration into business planning in order to contribute to corporate goals and missions of the organization are very crucial. One of Human Resource Development’s functions is to help in formation of business strategies for the organization and it is seen as a responsive and reactive role for strategic human resource development (McCracken Wallace, 2000). Furthermore, the role of SHRD is to shape the organization strategy instead of simply supporting role. Another role of Human Resource Development is to implement or form the corporate strategy. These tasks require them to link the corporate strategy with the organization’s missions and goals. According to Legnick-Hall and Legnick-Hall (1988) and Butler (1988), besides integrating the corporate strategy with the organizational missions and goals, strategic human resource development also plays an important role in shaping and influencing the missions and goals (as stated in McCracken and Wallace, 2000). 2.Top management support  In strategic human resource development, top management support is very important in order to implement the corporate strategy. The corporate strategy that has been formed need to be led actively by the top management people rather than just simply supported by them (Harrison, 1997). Active leadership from the top management will help the managers to adopt strategic thinking in achieving the targeted goals (McCracken and Wallace, 2000). 3.Environmental scanning  In SHRD, environmental scanning is very important to develop the strategic planning. HRD professionals and others senior managers need to conduct the SWOT and PEST analysis. These analyses will help the organization to respond or react to any changes in the internal or external environment (Rainbird, 1995; Peery and Salem, 1993). However, environmental scanning alone is not enough because HRD terms and top management need to implement it (McCracken and Wallace, 2000). Level of Strategic Human Resource Development  The first level of contexts that are crucial in order to understand the contribution of strategic human resource development is global environment. By analyzing and understanding the global environment is very important for an organization in order to be more flexible. Being flexible helps an organization to control and respond quickly to its surrounding, especially the external environment. This level focuses on a multiplicity of external factors that explain the role of SHRD in crisis management and generate particular SHRD initiatives (Wang, Hutchins Garavan, 2009). There are three sets of component that must be understood in the context of global environment which are local conditions, national conditions and multinational conditions. Local conditions basically focus on laws and protocol. For example, the organization might need to devise emergency planning processes to tackle potential crisis regarding the safety and health law (Wang, Hutchins Garavan, 2009). Local conditions can be divided into two parts which are economic and political trends as well as industry characteristics. The organization must alert with the economic and political conditions within the country. For the industry characteristics, the organization must ensure that their products and services have its own uniqueness. They need to master the products and services very well where all information need to be in their fingertips. They also need to know the targeted audiences for every of the product and services provided. The national conditions which can be divided into four parts. The first part is technology change. The organization must provide adequate training to its employees to increase the productivity of the employees in operating the latest technology. Since technology is rapidly change, so the employees need to be trained from time to time. The second part is the characteristics of the labor market. An organization must be flexible in terms of planning about the resources of the organizations especially when it comes to human resources. The management needs to hire more expertise. The third set is national culture. The organization need to learn and understand about the culture in order to provided the right products and services. For example, the food industry in Malaysia, they need to ensure that most of the foods are halal in order to fit it with the Muslim culture. The last part is regarding the national HRD systems. Some countries use the â€Å"soft† interventions rather than the â€Å"hard† approaches such as codes and protocols (Wang, Hutchins Garavan, 2009). It may appear as a component of partnership planning between the government, employers and trade unions. The last set of components is the multinational conditions which are cross-culture difference and international laws and regulations. Cross-cultural differences such as cultural assumptions towards planning and risk may also operate by some organizations. According to Tierney,Lindell Perry (2001), Asian countries are slow to react to disasters and they do not understand the important of systems and processes to deal with these disasters. Meanwhile, according to Caudron (2002), global terrorist events and international criminal acts have alert the national government regarding the important of providing the security education and professional education of human resources involved in security management. Certain multinational corporations may also pose some policies on individual companies within the corporation’s (Wang, Hutchins Garavan, 2009).

A Comprehensive Study of the Satellite Radio Industry: :: essays research papers

INTRODUCTION   Ã‚  Ã‚  Ã‚  Ã‚  Would people be willing to pay $12.50/month for commercial free radio beamed right to their car or home. Well two companies and many big investors are betting about $3 billion dollars that people are willing to do just that. In 1997, the Federal Communication Commission (FCC) granted a portion of the S-band spectrum for satellite radio and two companies purchased use of these bands and started the only two companies competing in the satellite radio business today, namely Sirius and XM. Analysts like William Kidd of CE Unterberg Towpin, predict satellite radio will generate about $10 billion a year in revenues by 2007 (McClean, 2001). However, to date neither of these companies has earned a dime. According to industry analyst though, â€Å"its not whether satellite radio will take off-rather it’s a matter of how fast.† (Helyar, 2004). Despite lofty predictions, satellite radio has some big issues to overcome before it becomes a serious threat to the $ 19.6 billion per year terrestrial radio industry. The article that appeared in Fortune entitled â€Å"Radio’s Stern Challenge† by John Helyar discusses Sirius’ marketing strategy to not only take market share from the entrenched and free terrestrial radio industry but also to beat its only competitor, XM. The Fortune article presents how a fat and lazy radio industry has failed to react to an eroding listening base and an increasing number of competing technologies. Issues like lack of attention to programming, no on-air talent, and an increase of 166% in the time devoted to commercials have driven listeners away from radio. Teens aged 12-17 spend 11% less time listening to radio compared to five years ago and adults 18-24 spend 13% less time compared to five years ago (Helyar, 2004). The article further discusses that terrestrial radio has much to fear from competing technologies like satellite radio, streaming digital radio on the Internet, and Apple’s iPod. What terrestrial radio does have in its favor is that it’s free compared to any of the current competing technologies like satellite radio. However, satellite radio is banking on a commercial free format to steal listeners away from terrestrial radio. Sirius offers 65 commercial free channels of music and 55 news, sports and talk stations. And the one thing that satellite has over its less lofty competitor is that you can’t loose the signal as you drive across America. The two major competitors for the satellite radio listeners are Sirius and XM.

Martin Luther and the Protestant Reformation Essay -- essays research

During the Renaissance, technology became more advanced and more available to the common public. The printing press was invented during this time. This invention made it possible for books to be published, not hand written. Ideas of the Renaissance were spread in some of these books and common people could own a copy of the bible. The weakening of the Roman Catholic Church, brought about by the Protestant Reformation, changed the way people felt about the church and its importance in their life. Then, because the church was not so dominating, people felt free to learn about new lands. During this time, technology became more advanced. Martin Luther started the Reformation against the Catholic Church. Martin Luther was German theologian and religious reformer, who started the Protestant Reformation and biblical scholar and linguist whose Ninety-five These, an attack on various ecclesiastical abuses, precipitated the Protestant Reformation. Basically, he realized that everyone is burdened by sin because it happens as a result of our weaknesses. He concluded that man could never earn ...

We Are Living Wild and Free

Tangeniqua Traxler Running head: WE ARE LIVING WILD AND FREE â€Å"We Are Living Wild and Free† Teen drug and alcohol abuse is very common in today’s life. Teenagers and young adults become involved with alcohol for a lot of reasons. Some reasons might be for pleasure, or influence from family such as parents drinking and smoking in front of or with the teenager, friends, curiosity, acceptance, and pure pressure are just a few of the reasons teenager’s might began to drink or smoke at a young age.Some teens think that if their parents smoke or drink, then it is alright to do the same on special occasions, which sometimes turn into smoking or drinking more frequently. Underage drinking can cause dangerous sexual behavior, such as unprotected sex, and sex with multiple partners. These actions can lead to unplanned pregnancy and for contracting sexually transmitted diseases (STD’s, also infections with HIV, the virus that cause AIDS. Excessive drinking create s secondhand effects that can put other people in harm.According to Steele (2012) alcohol can cause many physiological effects such as Sedation, muscle relaxation, drowsiness, and disinhibiting of impulses and emotion. Over a long period of use it can cause mood swings, make one have less patience, give one a false sense of confidence, make one more aggressive, delay the capability to make liable decisions, interfere with one’s alertness. WE ARE LIVING WILD AND FREE 2 Even though the NY state law is you have to be 21 years of age or older to purchase liquor, or be caught with it in public teens are still using.I’ve noticed nothing stops them from using, many turn to an older sibling to use their I. D to buy liquor or to go clubbing. Binge drinking (drinking of four or more drinks on a single occasion within two weeks) is a big problem on college campuses. It is binge drinking, different from drinking in general that causes most of the alcohol-connected harm thatâ€℠¢s happening on campuses and in the students' lives. A lot of teens don't think that they will become addicted, and simply use drugs or alcohol to have a good time and to feel ike they fit in with their friends. When teens become addicted they start to lose friends, start to have health problems, and start to fail in school, they experience memory loss, and they lack motivation. Addicts tend to distance themselves from their family and friends with their negative acts, attitudes and unpredictable emotional swings. I personally know this from experience because my dad is an alcoholic. When I visit my dad we never seem to have father and daughter time, I always find him passed out or he’s just somewhere getting high.I’ve seen him fall and pass out from being drunk, and I have seen him loose character from getting high. When he's drunk he often get into serious arguments and fights with people surrounding him. If you say the slightest wrong thing to him while he is intoxi cated he reacts to it. I myself have had alcohol before, but because I witness so much abuse to liquor I know how to limit myself while drinking. While drinking there’s stages you will go through of alcohol intoxication. Stage one you nearly sober, just getting started.Stage two your tipsy, usually signs of this is a blush face, stupid grin, loud voice and an aware love for mankind. The sufferer is incredibly deep, WE ARE LIVING WILD AND FREE 3 intelligent and insightful, but prone to giggles. Stage three you’re plastered†¦. really generous, loud, and self-confident. Starts suffering from long talkativeness and a belief that he or she can drink anyone under the table. Then you start to feel drunken usually suffering vision, hearing ; speech weakening, with a greedy appetite for pizza.Then one’s to get obsessed with anyone and everyone, having a specious faith that he or she is attractive regardless of drooling and slobbing. Stage five you’re wastedà ¢â‚¬ ¦ suffering from dangerous loss of balance, co-ordination and sex appeal. Liable to sleep anywhere, chatting confusedly with loss of most body functions. Your final stage is a hang-over†¦. suffering from near death, always with a pounding headache, unbalanced with no sense of humor. Needs complete silence and another drink! All these harmful stages can be avoided by monitoring the amount you drink.When you are in stage one you can give yourself some time to feel the drink, it may not affect you as soon as your finish but give it time. Most people get to stage three and don’t realize how much they are drinking, in this stage you usually don’t taste how strong a drink is so you continue to drink repeatedly to stage 5. The use of alcohol for a long length of time can cause many health problems. It can harm the liver, bones, endocrine system, and brain, and at the same time stunt ones growth. When a person drinks constantly, it has been known to deeply affect the ir liver.Over a period of time this out of control drinking can lead to cirrhosis of the liver or even suicidal behavior. Using alcohol for a long period of time can cause damage to the brain, which can alter one’s mood. Developing a mood disorder from alcohol consumption can one to develop suicidal ideation. WE ARE LIVING WILD AND FREE 4 I personally feel that a person of any age, race, and background can become an alcoholic, or addicted to drugs. It all starts by socially drinking and smoking with friends who seem to be handling it all.Eventually if there is a weakness in a person, they will breakdown and slowly began to show the signs of heavy drinking, falling out, disrupting other people, and using physical abuse. Since I have watched drinking destroy my father, I have learned the signs and symptoms of alcoholism and the effects it has on the family members. As a child I just thought he was a crazy person, who acted this way after drinking, I thought this is what he was supposed to do after drinking. This article gave information on many different psychological and physiological effects of alcohol.The author explained how alcohol, classified as a depressant drug could have bad long-term effects as well as health benefits. This is all depending on the person, the consumed amount, and the length of time the person has spent drinking alcohol. The author included the risks that are associated with drinking that allows one to enjoy. It can turn out to be an embarrassing time, as drinking decreases one’s ability to make proper judgments, or alter one’s mood. The author wrapped everything up after explaining that although can be a deadly drug; there are also good things that alcohol does to benefit one’s health. â€Å"LIVE ABOVE THE INFLUENCE! †